Why listen to  to Mozart  as he was not female or a person of color?
“Why did I have to listen in music humanities to this Mozart?†she groused in a discussion of the curriculum reported by David Denby in his book on Columbia’s core.
“My problem with the core is that it upholds the premises of white supremacy and racism. It’s a racist core. Who is this Mozart, this Haydn, these superior white men? There are no women, no people of color.â€
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Firenze Sage, Esq. Â When you realize that these students have amassed hundreds of thousands of dollars for this alleged learning,then you know condign punishment.
